Vintage Restaurants
Historic restaurants of the New York metropolitan area
I grew up in a time when the optimistic restaurant architecture of the mid twentieth century was still omnipresent. Today most of those restaurants are gone, but some of the old buildings remain.
My earliest memories of eating out on Long Island are from the early 1970s. One evening when I was four, as we drove home from the beach, my dad suggested stopping at a Wetson’s on Sunrise Highway in Freeport. I was amazed by the bustling window activity, people taking away crisp bags of hot food and eating IN THEIR CARS. My first ever fast food meal consisted of a Wetson’s burger, fries, and orange drink… I can still recall the perfect taste of each, as well as the sight of glowing orange neon rings on the eatery’s roof.
A summer or two later, I sampled broiled swordfish at the Fisherman’s Rest in Cutchogue, and became a seafood enthusiast. I loved getting the chance to eat at Nathan’s on Long Beach Road in Oceanside, where I had my first ever fried fish sandwich, with lemon, tartar sauce, and fries… heavenly.
In addition to the bucolic, suburban side of Long Island, there was a propulsion to the tenor of life there, like waves of energy from the metropolitan area, that these restaurants partook of. And while still possessing a sheen of modern efficiency and “futuristic” design, they seemed to belong to an earlier era—a cheerful, orderly, innovative one—whose fading away gave them a certain poignancy.
Here I have collected my renderings of some of the most notable vintage restaurants of the area.
This is an ongoing series of eateries through the decades. Feel free to inquire about an artwork, or suggest one you’d like to see turned into a painting.
A watercolor painting I made of Nunley’s Carousel, as it looked in Baldwin, Long Island, my hometown, around 1970. The view from the parking lot, when the ferris wheel had six colors, rather than just three. The cars in the parking lot resemble the children’s car rides in the park. 14 by 18 inches, with border. Click on thumbnail to see full image.
Each giclee print is one of an edition of 250, printed on archival Hahnemuhle paper, signed and numbered by the artist.
My watercolor and ink painting of a Long Island institution, All American Burger, which has operated from the same building under the same family since March, 1963. The “futuristic” building design and neon signs have become beloved landmarks on Merrick Road in Massapequa, and evoke an earlier era.
Each giclee print is one of an edition of 500, printed on archival Hahnemuhle paper, signed and numbered by the artist.
This print shows my watercolor and ink painting of the Oak Beach Inn (OBI South). The first of four OBI branches to open across Long Island, it was opened in 1969 in a 1900 waterfront restaurant, and became a popular restaurant and nightclub. Countless patrons from Long Island and beyond remember it for dancing under summer starlight and the drink concocted by a bartender there, the Long Island Iced Tea, in 1975, as well as Sunday brunches by the fire.
Each giclee print is one of an edition of 500, printed on archival Hahnemuhle paper, signed and numbered by the artist.
My watercolor and ink painting of Jolly Roger/Happyland, the beloved amusement park and restaurant that operated on Hempstead Turnpike from 1951-1978. The park was opened by William Nunley, already known to Long Islanders for his famous Nunley’s Carousel in Baldwin. Jolly Roger restaurant opened in 1952, adjacent to the park, and most people referred to the restaurant and amusement park together as “Jolly Roger’s”.
Each giclee print is one of an edition of 500, printed on archival Hahnemuhle paper, signed and numbered by the artist.
A watercolor painting I made of Nathan’s Famous on Long Beach Rd, Oceanside. The beautiful Spanish style building was originally Roadside Rest, a 1920s restaurant and concert hall featuring big bands. In the 1950s the building was sold to Nathan Handwerker and became the first Nathan’s restaurant to open outside of Coney Island. As Brooklynites migrated out to Long Island, so did their favorite hot dog. I have early childhood memories here of my first ever fried fish sandwich and the best french fries I’ve ever tasted.
There are two sizes: 7 by 11 inches, or 14 by 22 inches, with border. Each giclee print is one of an edition of 250, printed on archival Hahnemuhle paper, signed and numbered by the artist.
Wetson’s was a thriving and beloved burger chain in the NYC area. At its peak in the 1960s, there were 70 branches, mostly on Long Island. It was the first fast food I ever had, at age 4. The building design was inspired by the original McDonald’s, but the orange neon rings on its rooftop were distinctive. Print of my original watercolor. 13 x 18 inches, with border. Click on thumbnail to see full image.
Each giclee print is one of an edition of 250, printed on archival Hahnemuhle paper, signed and numbered by the artist.
This print shows my watercolor and ink painting of Long Island institution Umberto’s Restaurant and Pizzeria, which has operated from the same building under the same family since 1965. Like Umberto’s, I was born in New Hyde Park.
Each giclee print is one of an edition of 500, printed on archival Hahnemuhle paper, signed and numbered by the artist.
Point Lookout Beach, just west of Jones Beach, is a small Town of Hempstead Park, where I did much of my beach going throughout childhood. This version of it was built in the late 1960s and lasted about 30 years, and is the iteration I know best. The best days spent here started in the early morning, the ocean providing a soundtrack to our breakfast, and lasted until dinner time. Cookouts, the playground, sandcastles, and a Good Humor chocolate eclair from the concession stand. Also known as heaven.
Each giclee print is one of an edition of 500, printed on archival Hahnemuhle paper, signed and numbered by the artist.
1960s incarnation of the Nautilus Diner, which has been operating in Massapequa, Long Island since 1963.
Each giclee print is one of an edition of 500, printed on archival Hahnemuhle paper, signed and numbered by the artist.